Vol. 6 No. 12 (2017)

Communication Papers 12

Full Issue

PDF (esp (España))

Editorial

Editorial

Carmen Echazarreta

5
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Presentation

Xavier Antich

7-8
- PDF (cat)
Presentation. On the chameleonic nature of photography

Ana María Guerra

9-10
- PDF (cat)

Articles

Ghosts that don’t give you the shivers. Photography of spectres as a creative influence

Roger Ferrer Ventosa

11-27
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Images under John Ruskin’s gaze. An approach

Neus Crous Costa

29-51
- PDF (cat)
An approach to Catalan Pictorialism. Body, allegory and landscape in Vilatobà’s, Pla Janini’s, Masana’s and Casals Ariet’s photography

Cristina Ribot Bayé

53-78
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The visual devices of modernity as a problem. A Negra of Tarsila do Amaral and the photography of the nineteenth century

Paulo H. Duarte-Feitoza

79-91
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Hannah Höch: Photomontage as a Cartography of Violence

Maria-Josep Balsach Peig

93-103
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Leni Riefenstahl and Robert Mapplethorpe. Two different ways of objectifying the sportswoman’s body

Isabel Fontbona Mola

105-129
- PDF (cat)
Constructing and deconstructing: The curatorial practices in Joan Fontcuberta’s work

Ariadna Lorenzo Sunyer

131-152
- PDF (cat)
What is not seen in a photograph. Between Tacita Dean and W.G. Sebald

M. Lluïsa Faxedas Brujats

153-169
- PDF (cat)
From the Analog Archive to the Digital Archive: Reflections on the Dematerialisation of Photography

Ana María Guerra

171-184
- PDF (cat)
From the mechanical workshop to the complementary world. The photomontages of Art Ringger

Maria Recasens Vert

185-199
- PDF (cat)
Construction and simulation of the identity in the photographic self-portrait in the 21st century

Anna Bayó Duran

201-212
- PDF (cat)
The digital photo performance and its repetitive condition

Brenda Vega Mora

213-223
- PDF (cat)
The presence of both photography Andrés musings about the image in Agnes Varda’s cinema

Imma Merino Serrat

225-238
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The role of images in the promotion of religious tourism destination: the case of Montserrat

Sílvia Aulet Serrallonga, Dolors Vidal-Casellas

239-265
- PDF (cat)
Voices of memory: phonography and sounds of war

Carme Pardo Salgado

267-282
- PDF (cat)

Vol. 6 No. 12 (2017)

Communication Papers 12

Full Issue

Editorial

Editorial

Presentation

Presentation. On the chameleonic nature of photography

Articles

Ghosts that don’t give you the shivers. Photography of spectres as a creative influence

Images under John Ruskin’s gaze. An approach

An approach to Catalan Pictorialism. Body, allegory and landscape in Vilatobà’s, Pla Janini’s, Masana’s and Casals Ariet’s photography

The visual devices of modernity as a problem. A Negra of Tarsila do Amaral and the photography of the nineteenth century

Hannah Höch: Photomontage as a Cartography of Violence

Leni Riefenstahl and Robert Mapplethorpe. Two different ways of objectifying the sportswoman’s body

Constructing and deconstructing: The curatorial practices in Joan Fontcuberta’s work

What is not seen in a photograph. Between Tacita Dean and W.G. Sebald

From the Analog Archive to the Digital Archive: Reflections on the Dematerialisation of Photography

From the mechanical workshop to the complementary world. The photomontages of Art Ringger

Construction and simulation of the identity in the photographic self-portrait in the 21st century

The digital photo performance and its repetitive condition

The presence of both photography Andrés musings about the image in Agnes Varda’s cinema

The role of images in the promotion of religious tourism destination: the case of Montserrat

Voices of memory: phonography and sounds of war

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