Trazando el origen de la fotografía en 2 dimensiones y 3 dimensiones a través de las representaciones de animales
Descargas
Resumen
Este artículo es un estudio sobre la evolución de la fotografía de 2 dimensiones a 3 dimensiones a través de la representación de animales. El objetivo es trazar el origen de las imágenes generadas por ordenador (CGI) desde una mirada crítica hacia el impacto del hombre en otras especies y la concepción de la realidad.
Palabras clave
Fotografía, animales, evolución, dioramas, CGI, 3D, realidad virtual, realidad, ficción, hiperrealidadDescargas
Citas
• Akeley, C. (1923) In the Brightest Africa. New York: Douleday, Page & Co.
• After On Podcast. (2019). Episode 53: Don Hoffman, The Case Against Reality. Disponible
en: https://after-on.com/episodes-31-60/053 [Consultado 10 Oct. 2019].
• Baker, S. (2000) The Postmodern Animal. London: Reaktion Books.
• Baudrillard, J. (1994) Simulacra and Simulation. Ann Arbor: University of Michigan Press.
• Baudrillard, J. (2004) The Intelligence of Evil or the Lucidity Pact. Oxford:Berg.
• Baudrillard, J. (1996) The Perfect Crime. New York: New Left Books.
• Berger, J. (2007) Why Look at Animals? in Kalof and Fitzgerald (ed.) The animals reader.
Oxford:Berg.
• Burt, J. (2007) The illumination of the Animal Kingdom in Kalof and Fitzgerald (ed.) The
animals reader. Oxford: Berg.
• Darwin, C. (1872) The Expression of the Emotions in Man and Animals. London: Fontana.
• Darwin, C. (1859) The Origin of Species. Oxford: Wordsworth Editions.
• Deleuze, G. (2002) Diferencia y Repetici.n. Buenos Aires: Amorrortu.
• Deleuze, G. (2015) Mil mesetas. Valencia: Pre-textos.
• Debord, G. (2012) La sociedad del espect.culo. Valencia: Gallimard.
• Fontcuberta, J. (2014) Pandora ́s camera. London: Mack.
• Fontcuberta, J. (1999) Fauna. Madrid: Photovision.
• Haraway, D. (2007) Cyborgs to Companion Species in Kalof and Fitzgerald (ed.) The animals
reader. Oxford: Berg.
• Haraway, D. (2004) The Haraway Reader. New York: Routledge.
• Haraway, D. (2012) The Companion Species Manifesto. Chicago: Prickly Paradigm Press.
• Haraway, D. (2015) El patriarcado del osito Teddy. Barcelona: Printcolor
• Merrit, M. Barth, M. (2008) A Thousand Dogs. K.ln: Taschen.
• Parr, A. (2010) The Deleuze Dictionary Revised Edition. Edinburgh: Edinburgh University
Press.
• Parr, A. (2009) Of Rhizomes, Smooth Space, War Machines and New Media in Poster and
Savat (ed.) Deleuze and New Technology. Edinburgh: Edinburgh University Press.
• Prodger, P. (2003) Time Stands Still. Oxford: Oxford University Press.
• Prodger, P. (2009) Darwin ́s camera. Oxford: Oxford University Press.
• Quinn, S. (2006) Windows on nature : the great habitat dioramas of the American Museum
of Natural History. New York: Harry N. Abrams.
• Riordan, K. (2015) Hiroshi Sugimoto and the photography of theater in Performance Research.
Routledge: London.
• Rubinstein, D. (2013) The Grin of Schr.dinger’s Cat: Quantum Photography and the Limits
of Representation in Rubinstein, Goldin and Fischer (ed.) On the Verge of Photography.
Birmingham: Article Press.
• Rubinstein, D. Golding, J. and Fisher, A. (2013) On the Verge of Photography. Birmingham:
Article Press.
• Saussure, F. (1983) Course in General Linguistics. Paris: Editions Payot.
• Smith, R. (2010) The Baudrillard Dictionary. Edinburgh: Edinburgh University Press.
• Steyerl, H. (2012) The wretched of the Screen. Berlin: Strenberg Press.
• Sugimoto, H. (2014) Hiroshi Sugimoto: dioramas. Bologna: Damiani.
• Ubergizmo. (2012). Robojelly is a robot jellyfish [Video]. [online] Available at: http://www.
ubergizmo.com/2012/03/robojelly-is-a-robot-jellyfish/ [Accessed 11 Apr. 2016]. Vimeo.
com. (2015). Print the Legend. [online] Disponible en: https://vimeo.com/127029314 [COnsultado
9 Abril, 2016].