The female characters in Entre visillos (TVE 1, 1974)

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Abstract

The analysis of the evolution of gender representation in television fiction is essential to understand the historical background of patriarchal society. The aim of this article is to study the role of female characters in the television series Entre visillos (TVE1, 1974), an adaptation of the 1957 novel by Carmen Martín Gaite. For which, a textual analysis of the 15 chapters that make up the fiction was carried out, in which the aim was to draw the profile of the protagonists, find out if they achieved their narrative goals and analyze their conversation topics. In addition, the classification of Jurado Morales (2003) on the types of realization to which the characters of Gaite's novels aspire to the characters of the television adaptation is applied. It is concluded that most of the protagonists are women of a high social class who, despite spending a lot of time talking about sentimental relationships, do not change their marital status throughout the narrative or achieve their objectives, which results in a sensation of stagnation and vital frustration that functions as a criticism of the repressive Francoist society at the end of the dictatorial regime.

Keywords

Carmen Martín Gaite, Entre Visillos, Women, Characters, Television.

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References

Cajade Fr.as, S. (2010): “Arquetipos femeninos y masculinos en la novela Entre visillos de Carmen Mart.n Gaite. Un an.lisis desde la etnoliteratura”. En: Revista de Dialectolog.a y Tradiciones Populares, 65(2): 489-518. Disponible en: http://rdtp.revistas.csic.es/index.php/rdtp/ article/viewArticle/237 (Consultado el 22 de noviembre de 2018). Campbell, F. (1971): Infame Turba. Barcelona: Lumen. Carbayo Abeng.zar, M. (1998): “A manera de subversi.n: Carmen Mart.n Gaite”. En: Esp.culo, 8. (Marzo-Junio) Disponible en: https://pendientedemigracion.ucm.es/info/especulo/cmgaite/carbayo.htm (Consultado el 1 de noviembre de 2018). Casetti, F. (1993): Teor.as del Cine. Madrid: C.tedra, 251-266. Casseti, F. y di Chio, F. (1997): An.lisis de la televisi.n: Instrumentos, m.todos y pr.cticas de investigaci.n. Barcelona: Paid.s. Collins, M. (1997): “Inscribing the Space of Female Identity in Carmen Mart.n Gaite’s Entre visillos”. En Symposium magazine, 51(2):66-78. Disponible en: http://www.tandfonline.com/doi/abs/10.1080/00397709709599917#.VSvQfpSsV0w (Consultado el 15 de octubre de 2018).Gal.n Fajardo, E. (2007): La imagen social de la mujer en las series de ficci.n. C.ceres: Universidad de Extremadura. Jurado Morales, J. (2003): La trayectoria narrativa de Carmen Mart.n Gaite (1925-2000). Madrid: Gredos. El Pa.s (1983): La posguerra civil desde la .ptica femenina, en ‘Entre visillos’, de Carmen Mart.n Gaite. En El Pa.s.es, 04/02/1983. Internet. Disponible en: http://elpais.com/diario/1983/02/14/ radiotv/414025201_850215.html (Consultado el 22 de noviembre de 2018). Lee, S. (2010): Una comparaci.n tem.tica de las novelas de postguerra Entre visillos y Nada. (Tesis de Doctorado). Universidad de Tennessee. Estados Unidos. Disponible en: http://trace.tennessee.edu/cgi/viewcontent.cgi?article=2360&context=utk_chanhonoproj (Consultado el 30 de noviembre de 2018). Palacio, M. (2012): La televisi.n durante la Transici.n espa.ola. Madrid: C.tedra. Mart.n Gaite, C. (1958): Entre visillos. Barcelona: Ediciones Destino. Mart.n Gaite, C. (1999): Desde la ventana: Un enfoque femenino de la literatura espa.ola. Madrid: Espasa libros. Ochoa, D. J. (2006): La chica rara: Witness to Transgression in the Fiction of Spanish Women Writers 1958-2003. (Tesis de Doctorado) Universidad de Texas en Austin. Estados Unidos. Disponible en: http://www.lib.utexas.edu/etd/d/2006/ochoad89443/ochoad89443.pdf (Consultado el 10 de octubre de 2018). Rueda Laffond, J.C. y Coronado Ruiz, C, (2009): La mirada televisiva: Ficci.n y Representaci.n hist.rica en Espa.a. Madrid: Fragua. Soňa Štibr.niov., S. (2011): El comportamiento infrecuente de la chica rara en las novelas Nada de Carmen Laforet y Entre visillos de Carmen Mart.n Gaite. (Tesis de m.ster) Universidad Masaryk, Rep.blica Checa. Disponible en: http://theses.cz/id/khwti1/ (Consultado el 20 deoctubre de 2018)

Author Biographies

Celia Gómez Villán, University of Salamanca

Celia Gómez Villán graduated in Audiovisual Communication from the University of Salamanca and has a Master's in Film Editing and Video Editing from the TAI School (Madrid). She currently works performing the functions of camera, video editor and motion graphics for Hearst Magazines Spain, and collaborates with Esquire magazine making 'social videos' for social networks. Likewise, she has collaborated with brands such as Harper's Bazaar, Fotogramas, Biotherm or Louis Vuitton.

Beatriz González de garay domínguez, University of Salamanca

Beatriz González de Garay is an Assistant Professor of Audiovisual Communication at the University of Salamanca and a member of the Audiovisual Content Observatory. Graduated with Extraordinary End of Career Award in Audiovisual Communication from the Carlos III University of Madrid and European Doctor from the Complutense University, where she obtained. a scholarship for University Teacher Training. Her main areas of research are studies of gender and sexual diversity in television fiction and audiovisual heritage. He has also worked outside the university sphere as a script analyst on Telecinco and as an assistant director on the series Hospital Central.

Maria Marcos Ramos, University of Salamanca

María Marcos Ramos is an associate professor at the University of Salamanca and a professor at the American institution IES Abroad Salamanca. Degree in Audiovisual Communication from the University of the Basque Country and PhD in Audiovisual Communication (Extraordinary Doctorate Award) from the University of Salamanca. Her main lines of research are the representation of immigration and women on television, media literacy and the black genre in film and television. Outside of the academic field, he has worked in various television channels and has also made various short films and documentaries. She is a collaborating member of the Audiovisual Content Observatory of the University of Salamanca.

DOI

https://doi.org/10.33115/udg_bib/cp.v8i16.22360

Published

2019-11-12

How to Cite

Gómez Villán, C., González de garay domínguez, B., & Marcos Ramos, M. (2019). The female characters in Entre visillos (TVE 1, 1974). Communication Papers. Media Literacy and Gender Studies., 8(16), 77. https://doi.org/10.33115/udg_bib/cp.v8i16.22360

Issue

Vol. 8 No. 16 (2019): La representación mediática.

Section

Articles